Women's Philharmonic Advocacy

Monday Link Round Up: August 13, 2018

by sarah - August 13th, 2018

News and music to start your week!

Hugely important piece by composer and musician Elizabeth Baker at New Music Box. In part:

Elizabeth A. Baker

Elizabeth A. Baker, photo from https://soundcloud.com/elizabethabakermusic

The problem continues when organizations promote “diversity initiatives” using only images of cisgender white women. What these actions and inactions tell women who look like me—women of color, and individuals for whom I am an ally, including non-binary and queer women—is that our voices and, more poignantly, our faces are not welcome in this conversation. Personally, it has the effect of taking my agency as a woman away from me. When people mention the breakthroughs of women composers, I do not identify with these achievements as a part of the evolution that paves my path in the music industry. The more I talk to other women of color hailing from nations across the globe, the more I understand how the subconscious presentation of diversity framed exclusively as a “middle-class white cisgender woman’s problem” has the ripple effect of silencing women of varied ethnic backgrounds and gender identities.

Samson Baughman writes at I Care if You Listen about representation matters on the concert stage even outside program choices.  Speaking from personal experience, Baughman offers perspective as “the” black musician in an ensemble, and offers readers ways to support diverse musicians and ensembles moving forward.

Lisa Houston writes in The San Francisco Classical Voice about the work of Missy Mazzoli and, specifically, her ventures into opera.  Learn more about Mazzoli’s performing career, including with her own ensembles, and her influences for operatic writing.

The Egyptian orchestra made up entirely of blind women is continuing to impress.  Read more, and watch a video of the Light and Hope Orchestra, at TRTWorld.

BBC 3 and the Ulster Orchestra (in Belfast) continue with a series of free concerts featuring major works by women, including Jessie Montgomery, Nina C. Young, Roxanna Panufnik and Clara Schumann.

What have we missed?  Opinions or comments?  Let us know!  email [email protected]

 

 

Monday Link Round Up: August 6, 2018

by sarah - August 6th, 2018

News to start your week!

What better way to tackle the new week than a fantastic conversation?  Elizabeth Blair speaks with Emily Doolittle in the most recent episode of Listening to Ladies.  Learn more at the website, with lots of links and music, stream the episode through your favorite podcast app, or in the player below!

Calls for Participation are open for the 2019 Women Composers Festival of Hartford!  There are seeking compositions for the Ensemble-In-Residence, composers & performers for the annual Music Marathon, and presenters & performers for the Women Composers Forum.  Learn more at their website – and spread the word!

In a delightful change of programming, and response to national outcry at their predictable and stogy programming, The Philadelphia Orchestra has altered their plans for the 2018-2019 season to include works by two women composers.  They will perform the US Premiere of Perspectives by Stacey Brown in November, and Masquerade by Anna Clyne in June.  Read more at The Philadelphia Inquirer.  The story was also covered by NPR.

Podcaster (and pianist) Kai Talim let us know about his far-ranging conversation with conductor Mei-Ann Chen in a recent episode of Skip the Repeat.  We interviewed in Maestro Chen in 2013 when she was busy leading performances of music by Florence PriceMei-Ann Chen continues to build her conducting career with Asian and European engagements, as well as continuing as Music Director of the Chicago Sinfonietta. But, as she discusses with Kai Talim, her big professional breakthrough was her appointment as Musical Director of the Portland Youth Philharmonic.

 

And, from the blogosphere, we ran across Heather Roche’s report on the Royal Philharmonic Society’s conducting workshop for professional women musicians new to conducting.  Roche was pleased to be invited to apply, but taken aback that the workshop included no repertoire by female composers.  Her response was this post of five suggestions of pre-1950 works by women.  We applaud her ideas heartily, but also want to emphasize that all conducting classes — not just ones for women — should include music by women.  OK! Now we’d better get busy sending that message to directors of conducting classes!
We would love to know what you think!  Email at [email protected]

Monday Link Round Up: July 30, 2018

by sarah - July 30th, 2018

News and music to start your week!

A fascinating article by composer Jenny Giering who compares her own experiences with visions she experienced with migraines and the visions described by Abbess Hildegard von Bingen as she received music and instruction.  It is featured in a series discussing disability in The New York Times.

Siobhán Cleary

Irish composer Siobhán Cleary has brought to light the systematic and persistent discrimination that can be found in the music world.  The Irish Times just reported the Cleary has turned down a commission offered by two Irish Arts Council-funded organizations because she was offered 20% less than her male colleagues have been for the same commission.

Anne Midgette and Peggy McGlone co-authored an extensive piece for The Washington Post about the culture of sexual harassment and abuse in the classical music community.  The article details many specific incidents, and how the #MeToo movement can impact changes moving forward.

I Care if You Listen spoke to Gabriella Smith about her music, where she finds inspiration, and the challenges with working with vastly different forms and ensembles.

Finally, we wanted to share Inge Klopfer‘s “So sexistisch ist die Klassik  — Classical Music is So Sexist” which appeared on June 13, 2018 in the Frankfurter Allgemeine Zeitung.  So here’s our translation of it!

We’d love to hear from you!  Write us at [email protected]!

Monday Link Round Up: July 23, 2018

by sarah - July 23rd, 2018

News and music to start your week!

Pianist Samantha Ege

Pianist and musicologist Samantha Ege writes at Sound Studies blog — Sounding Out! — about her recent performance at the Australian Gender Diversity in Making Music conference – where she (most probably) gave the Australian premiere of music by Florence Price.  This is a “must read” about the ways in which the best of intentions of a conference can be quickly derailed by an incident of conference planning that reinforces the inherent nature of privilege.

In their continued collaboration with New Music Box, composer & IAWM President Carrie Leigh Page and composer Dana Reason explore the history of bias women have experienced as performers as well as composers.  An excellent — and thorough — history, and another “must read”!

Page and Reason in their New Music Box article referred to the famous (to those concerned with gender issues in classical music) case of Abbie Conant who fought the Munich Philharmonic for years to confront the overt bias she faced. The WQXR Blog further explores the story .

In their most recent feature of a contemporary composer, I Care if You Listen interviews composer and sound artist Jess Rowland.  From the website: “Rowland’s compositions and performances explore consumer culture, and she describes her own music through the Ives quote “beauty in music is too often confused with something that lets the ear lie back in an easy chair.” In this interview, Jess Rowland discusses the prejudices faced being a trans woman, a composer not adhering to the hierarchy of academia, and the financial struggles many musicians face.”

It’s been heartening to see influx of attention paid to the work of women in music, and actions being taken to address the imbalances.  According to France 24, the French Culture Minister is making efforts to have organizations and institutions commit to more equality both on the podium, and in arts administration.  Conversely, the Irish Times reports that the gender imbalance in Ireland is not being taken seriously.

What have we missed?  What do you think?  We’d love to hear from you at [email protected]

 

Monday Link Round Up: July 16, 2018

by sarah - July 16th, 2018

News and music to start your week!

The 2018 BBC Proms are off and running (ICYMI here are the statistics of women’s representation we put together).  Anna Meredith had a piece presented at First Night at the Proms and spoke to Fiona Maddocks about her work.  Read more at The Guardian.

In response to the #MeToo movement, professional music organizations in the UK are working to create a code of conduct to eradicate sexual harassment, bullying, and discrimination.  A joint initiative between the Musicians Union and Incorporated Society of Musicians, you can read more at The Stage.

NBC Nightly News took on the topic of diversity in American Orchestras.  How great to have national attention on this pervasive problem!  Check out the NBC website for the article, and video clip, including interviews with many musicians.

National Sawdust (the innovative music venue in Brooklyn) explores the ways in which Twitter emboldens all trolls – in particular in attacks against women composers, performers, and scholars. The catalyst for the article was a confrontation by Shelley Washington and Gemma Peacocke with a troll who disparaged the role of women composers. John Hong speaks with both Washington and Peacocke.

composer Missy Mazzoli

On July 2 we shared the exciting news that Missy Mazzoli was named Composer In Residence for the Chicago Symphony Orchestra. A few days later, Mazzoli spoke to WRTI about the importance of mentoring young women composers.  Read the conversation here.

The Dream Unfinished, the amazing activist orchestra, is building up to the finale of their SANCTUARY season.  The July 27 concert  features music by Tania Leon, George Walker, Vijay Iyer, Kareem Roustom and Huang Ruo. Speakers from NYC’s immigrant rights community will share their stories.