Women's Philharmonic Advocacy

Minnesota Composer Institute 2012 Winners Announced

by sarah - July 17th, 2011

Winners were posted over at the New Music Box. The six selected composers include Hannah Lash and Andreia Pinto-Correia.

From the press release:

Hannah Lash has received numerous honors and prizes, including the ASCAP Morton Gould Young Composer Award and a Charles Ives Scholarship from the American Academy of Arts and Letters. She is a past participant in the American Composers Orchestra’s Underwood New Music Readings; her chamber opera Blood Rose was recently presented by New York City Opera’s VOX. She holds degrees from the Eastman School of Music and Harvard University. The Orchestra will perform her God Music Bug Music.

Andreia Pinto-Correia’s music is distinguished by influences of Iberian folk traditions, particularly Arab-Andalusian poetic forms. Highlights of her upcoming season include the Carnegie Hall premiere of a work commissioned by the American Composers Orchestra, and a residency with Portuguese chamber orchestra OrchestrUtópica. She is now working on her first opera. She is a teaching fellow and doctoral candidate at the New England Conservatory. The Orchestra will perform her Xantara.

The panel also listed a handful of runners-up, including Alexandra Bryant, Ann Millikan, and Ingrid Stölzel.

Francesca Zambello and Glimmerglass

by sarah - July 12th, 2011

Renowned opera and theater director Francesca Zambello has found her name in headlines often as of late.

Image from: http://www.glimmerglass.org/

After directing an acclaimed production of Wagners Ring Cycle in San Francisco (where she is an artistic adviser), and being named artistic adviser for the Washington National Opera, Zambello took her other new role as the artistic and general director of the Glimmerglass Festival head-on.

In her first year of programming, Zambello has included a classical musical (done with big voices, a full orchestra, and no amplification), included three strong women leads (Carmen, Medea and Annie Oakley), and commissioned a new opera from award winning composer Jeanine Tesori with libretto by Tony Kushner titled A Blizzard on Marblehead Neck.

You can read an interview with Zambello and The Globe and Mail here. There’s also an article in the Wall Street Journal.

NPR’s “Biggest Badass Composers”

by sarah - July 6th, 2011

NPR’s Deceptive Cadence picked up on a twitter feed recently questioning which composer is the “biggest badass”, with qualifications to include drugs, sex, guts and politics.

The list of composers included (surprise!!!) no women. Though the list, which was compiled here, did include Carlo Gesualdo, a late Renaissance composer who is remembered for his madrigals, chromaticism, and having murdered his wife and her lover and placing their bodies on display. (Interesting that instead of being remembered as a murderer he is praised as being “badass”…)

But this omission of women must have been an oversight – especially considering all of the badass women composers that have lived. My short list includes:

Hildegard von Bingen (who was included in the comments on the NPR story – thanks to Christine Beard)
She was an abbess, mystic and prophet who stood up to every authority in the Medieval Church, including the Pope himself, and lived to tell about it. She was also the first composer to so fastidiously document their work and sign their name to it – unheard of for even men at the time.

Dame Ethel Smyth
How much more badass can you get than being arrested for the cause you are fighting for (British women’s suffrage) – and continue to lead your followers even from behind prison bars? (Who doesn’t know the story of Smyth conducing her “March for Woman” from her cell window with a toothbrush??)

Nadia Boulanger
Forced to work at a young age due to the death of her father, Nadia took on jobs performing and teaching music to support her family. She took on the Prix de Rome by force and ruffled feathers along the way. Though she didn’t win (second place isn’t shabby either), she certainly paved the way for other women, including sister Lili. Nadia was also the first woman to conduct the BBC Symphony, Boston Symphony, the New York Philharmonic, and the Philadelphia Orchestra. Her students included Aaron Copland and Astor Piazzola, and seemingly countless others, and her work continues to live on through the next generations.

Wendy Carlos
Wendy’s work with the Moog synthesizer, most notably her album Switched-On Bach re-introduced classical music to the masses. That album, first released in 1968, was one of the first classical LPs to sell 500,000 copies – eventually going gold and platinum. The album also brought home three Grammy awards: Album of the Year (Classical), Best Classical Performance, and Best Engineered Recording (Classical).

Clara Wieck Schumann
A child prodigy who defied her father to marry Robert, Clara also completely changed the format and standard repertoire of piano recitals. She took care of an often-ailing Robert and raised seven children while traveling and performing to make sure that they and continuing to travel and perform to share Robert’s music and bring home a paycheck. She out lived four of her eight children (one died in infancy) as well as her husband, and cared for her grandchildren when necessary. She continued to advocate for Robert’s works, including taking the lead roles of editor and interpreter until her death.

But this is just five of certainly dozens of women composers and musicians who fought the odds and managed to make a place in history for themselves (even if it is often forgotten in text books and in online polls).

Who else should be on this list???

Original Manuscripts For Sale

by sarah - July 2nd, 2011

Robert Owen Lehman is selling his collection of music manuscripts. The collection, which is valued at $135 million, is currently housed at The Morgan Library & Museum in NYC. Lehman hasn’t officially announced what he intends to do with the profits from the sale, but has been very clear that the buyer of the collection must not be broken up, and it must always be housed in a public institution.

NPR has the story here.

Though I haven’t been able to find the full catalog of this collection (or determine if any music by women composers is included, The Morgan Library does provide a complete list of composers whose work can be found at the institution.

Included in the list are:

I’m going to keep investigating to see if any of the above composers are included in Mr. Lehman’s collection. Bur regardless to that, I’m excited to learn about these manuscripts being available to the public through the Morgan Library. If you have had experience looking at these documents at the Morgan, please share your experience in the comments section!